There is nothing like an unanticipated dance scene on stage or screen: the twist contest in Tarantino’s Pulp Fiction (an homage to, among other cinematic choregraphies, Godard’s Bande à part); in spite its cheezy intercutting, Al Pacino’s “tango” (not a tango at all, an Argentinian once contemptuously informed me, dismissing the number as a mere More
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This content originally appeared on CounterPunch.org and was authored by David Yearsley.
