One of the most distressing disappearances from multiplexes in the last half decade is the studio comedy. I’m far from the first person to point out their absence, but I don’t think streaming and “prestige television” are entirely to blame. Romantic comedies have also vanished, and last year’s Ticket to Paradise is the exception that […]
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This content originally appeared on CounterPunch.org and was authored by Nicky Otis Smith.