But Democrats are agents in this history of violence and continue to keep it alive and well as much as Republicans. In July 2019, CNN reported that “Trump still has not reached anywhere near the level of interior removals as the early Obama administration.” Even brutal border control measures see a confluence, as when the Democratically-controlled House in 2019 approved $4.6 billion for border funding, a necessary measure according to leading House Democrat Nancy Pelosi to ease the “humanitarian crisis” along the southern border. The money, apparently, is for the sake of the migrant children, yet Pelosi assured the public that Democrats remain “committed to border security.” There was reportedly a deal struck between House Democrats and the White House, a deal which did not specify standards for care and holding in immigration detention centers, currently with a holding daily average of around 44,000 people. I hope I am forgiven for having misgivings about Pelosi’s concern for the children.
Trump’s Jekyll and Pelosi’s Hyde became one monster in their respective statements and policies on this initiative. Take for example Trump’s plan from January 2019 to address the “humanitarian and security crisis on our southern border that requires urgent action.” Trump: “Thousands of children are being exploited by ruthless coyotes and vicious cartels and gangs… Nearly 50 migrants a day are being referred for urgent medical care… Many of these security ideas have been proposed by Democrats themselves, and all of them have been supported by Democrats in the past, including a physical barrier, wall, or fence.” Pelosi. Trump. Same terms, same choices, same outcomes.
Seeing immigrants through Hollywood
It is not only in laws, policies, and acts of violence that America’s unitary immigration politics plays out. American political hegemony also rests on popular culture like no other hegemony before it. What we might call the Hollywood ideology of Americanism has proved adept at disseminating it even as it ingeniously portrays a false version as “coming to terms” with historical injustices.
Hollywood in one fell swoop acknowledges and thwarts Americans’ thirst for the truth, justice, and genuine political alternatives by devising a form of story-telling that presents itself as multi-perspectival and “real” – think of the pseudo-realism of HBO or even the mockumentary format. In this new format, major characters suddenly become minor or die, storylines are as contingent as any sequence of real-life events, morality is deeply tied to perversions and self-interest, current politics is criticized, prior racial and ethnic groups are put front stage, and so on. America, through movies such as Black Panther and shows like The Wire, both “come to terms” with and sanctions America’s violent past.
To find politicized cultural representations of the immigrant, then, we must turn to Hollywood. Among the many archetypes in production, let’s singled out two: the conservative archetype of the zombie, and the liberal archetype of the house elf Dobby from the Harry Potter books and movies.
Border agents and zombies
Recent reports from the border concentration camps on the southern border reveal how border patrol agents see persons seeking international protection as zombies. One agent, who until recently worked at the McAllen Detention Center in Texas, describes his first sight of the detention center as a “scene from a zombie apocalypse movie.” He observed how border patrol agents wore surgical masks and rubber gloves because there was “sickness and filth everywhere.” The facility itself “looked like a walled-off compound where the government had the last safe zone and was taking in refugees fleeing the deadly zombie virus.”
What does the zombie stand for here? Throughout history, zombies have stood for an imagined threat to a social order achieved through horrid violence, marking a return of the repressed origins of a socio-political order, the victims of which come back to haunt the perpetrators. The zombie projects a failure on the part of a perpetrator to recognize a legitimate agent seeking just retribution for a wrong. The ideological function of the zombie seeps into the realm of political psychology: it not only exonerates the perpetrator (for the cause of zombies is always something ghastly, unnatural, evil) but it also reverses culpability (I will again refer back to the statement by Theodor Roosevelt at the beginning of this article for a historical example, or Trump’s claims that migrants are rapists, drug smugglers, terrorists).
As a result, border patrol agents or detention center guards do not see ailing and suffering fellow humans who undoubtedly call for help as a consequence of ruthless American foreign policies. They see sick flesh, an undead, an affront to nature itself, and certainly therefore an affront to America. It is easier to imagine an unnatural evil threat than a legitimate threat to an unjust foreign policy.
On top of this foundational archetype is built a militaristic duty which informs agents’ behavior and action. Border patrol agents come to see an enemy that must be contained or destroyed in an exercise of individual sovereignty which at once fulfils the agent’s will to power, frees him from any responsibility from wrongdoing, indeed displaces that wrongdoing onto the victim, and ties into a struggle deemed worth fighting and killing for. In this way, agents and guards behave like countless monarchs making up, in Herman Melville’s phrase, “a monster of a million minds.”
Through repetitions of actions steered by the zombie imaginary, the social life of the immigrant concentration camp has taken form: immigrants are hunted, captured, detained, quarantined, denied basic necessities, and tortured. And true to the ending of a conservative zombie script, conservatives now have a chief zombie killer, Trump. Finally, somebody not afraid to draw the proper conclusions: we have to build moats, shoot migrants in the legs, recognize them as monsters on a Biblical scale (the snake in the Garden of Eden), and so on. The 2016 Trump presidential campaign masterfully placed TV ads during The Walking Dead, today’s most popular zombie TV show.
House elves and liberals
Where conservatives see a zombie, liberals see a Dobby, the house elf in the Harry Potter books and films. Dobby begins his literary life as a slave in the Malfoy household, but finds himself freed by Harry Potter later on in the narrative arc. But that particular arc bends toward injustice. In Harry Potter and the Goblet of Fire a free but unemployed Dobby finds himself at Hogwarts, where a liberal capitalist fantasy of a bonded labor economy unfolds. Hogwarts’ kitchen, we come to learn, is staffed by house elves, that is, asylees turned casual laborers. While Headmaster Albus Dumbledore does not allow physical coercion or abuse of his kitchen staff, he acts as a benevolent patriarch who expects the house elves to perform their duties without question. Dobby finds a job at Hogwarts – receiving a pathetic salary, one day off per month, and the scolding of his fellow house elves for basically being a traitor to tradition. Dobby even turns down an offer of a higher salary “as though the prospect of so much leisure and riches were frightening.”
In this way, the freedom of the house elf twists and turns until it comes back to a freedom that enchains the elf as it enhances the freedom of someone else: the students, teachers, and administrators of Hogwarts are free from performing menial tasks such as cooking and cleaning, and free to realize and develop their magic, play games, socialize, and so on. Dobby’s only exercise of freedom thus finds its way back to bondage. That is why Dobby in Harry Potter and the Half-blooded Prince asserts: “Dobby is a free house-elf and he can obey anyone he likes and Dobby will do whatever Harry Potter wants him to do.” How can Harry refuse? Dobby dies protecting Harry Potter as a “free elf.”
The liberal ideology here is superbly encapsulated. Among other things, Dobby stands for the asylum seeker who, in the mind of those benefiting from his labor, abhors class or any other political collective consciousness and is so grateful for being granted protection that he freely chooses to perform labor for the ultimate benefit of others and detrimental to his own well-being. Dobby never has a home of his own, and is forced to seek protection in a social and economic system over which he has no control. And in all this, the massive wealth of Hogwarts and its students, the fact that the labor performed by house elves could be automated by magical spells, are not seen as a solution by anyone to the plight of the house elves.
On top of this liberal archetype is built a moralistic duty which grants protection to those fleeing persecution as it absolves liberals from coming to terms with the exploitative history and nature of their ideology as it focuses their desire on de-politicized individuals who objectively suffer from an exploitative order the redress of which can only be set into motion through politicized collective action.
Liberals come to see in the immigrant a simple individual that must be “saved” and then “helped” into a freedom whose sphere of action is already pre-determined and clouded in an ideological magic beyond the reach of the immigrant. Through repetitions of actions steered by the Dobby imaginary, the social life of granting asylum followed by entry into the free informal labor market takes shape: immigrants are saved and then employed, as “independent contractors,” to build or repair houses, clean homes, care for infants or the elderly.
Before his election in 2008, Obama was ‘outed’ as a massive Harry Potter fan, and it has been suggested that part of the Millennials’ electoral embrace of Obama can be explained by the values they have all internalized from Harry Potter.
The alignment between ‘moderate’ liberals and conservatives
Because of the belief in the sanctity of the American Republic at work in both archetypes, “moderate” conservatives and liberals can agree on basic issues. Fox News’ Geraldo Rivera, for example, was in a true liberal capitalist moral key “ashamed” when he saw the treatment of migrants at the border: “We treat these people — these economic refugees — as if they’re zombies from ‘The Walking Dead’!” We should be ashamed because: “They want to fill the millions of unfilled jobs we have in the agricultural sector. They want to wash dishes in the restaurants. They wanna deliver the pizzas. For goodness sake! We suspend our humanity when it comes to this issue, and I fear that it is because they look different than the mainstream.”
The politics of “moderate” liberals and conservatives is like a Russian doll. The outermost doll exercises free speech and professes a superior morality by crying “shameful,” “heart-breaking,” “cruel” when encountering carefully curated instances of indignity and injustice. The next doll supports the political candidates and policies that claim to want to “fix the broken system” through rule of law, “responsible” capitalism, and technocracy. The innermost doll follows an entrenched religious belief in the sanctity of the American political system. The system is good, sacred even: there are only “evil actors” who are external to “who we are as a nation.”
An opening in American politics of immigration
In its belief that it has already achieved universal freedom, an ideal republic, America is stuck in what we might call abstract universality. As a consequence, in the words of Octavio Paz, for America “evil is outside, part of the natural world, like Indians, rivers, mountains, and other obstacles that must be domesticated or destroyed.”
It is election season in the US. The Democrats are engaged in the primary elections that will result in the choosing of the politician who will challenge Trump in this year’s presidential election. Bernie Sanders, in my opinion, offers the best immigration policy agenda and indeed the best new agenda overall irrespective of his will and ability to implement it. His immigration proposals include explicitly denouncing the current system as racist, militaristic, and profit-seeking. It further includes repealing IIRIRA and ending immigration detention except for violent offenders. Sanders has vowed to place a moratorium on deportations. He has promised to create a citizenship path for undocumented immigrants. He proposes to break up the Department of Homeland Security (DHS). His Medicare for All and free college education will be available to undocumented persons.
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Admir Skodo | Radio Free (2020-02-04T13:28:14+00:00) The monstrous unity of American immigration politics: protection as persecution. Retrieved from https://www.radiofree.org/2020/02/04/the-monstrous-unity-of-american-immigration-politics-protection-as-persecution/
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