When I started doing art criticism, forty years ago, I found it natural to begin by reading Clement Greenberg (1909-1994). Although he wasn’t still writing, he was, by general consent, the most important living American critic. And the most famous New York critics of the next generation, Michael Fried (1939- ) and Rosalind Krauss (1941- More
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This content originally appeared on CounterPunch.org and was authored by David Carrier.
